In the Family Plot

Many long years ago I was told that my erotic images were not explicit enough for the times. My answer, no matter how explicit I get…, I allow my models some bit of privacy. My images are not a gynecological tour de force, rather some imagination is not only needed, but wanted. Though the use of shadows, movement I want the viewer eye to wander, to search for those hidden gems.

Many of my models dabble in the trade, yet when they see the images I produce they are very impressed. I shoot for the art of my subject, I consider that less is more, to create an alluring image my subjects do not have to be exposed. The imagination has a crucial role, a crucial function for our greatest sex organ we possess…, our mind’s.

I treat the women who pose for me with respect, my work conveys that respect. I ask my models to trust in my skills as a photographer. I ask my model to trust me as a man.

Rope

Many genres draw my interest, I shoot my impression of a setting…, a cerebration…, an act. All my images are crafted using available light, reflectors, cards, and that most important ingredient: love of subject.

My goal is to create art of you and your body. To highlight the curves, the crevices, and to do so in a respectful manner…, all while capturing the essence of who you are at this particular moment. Explicit or not each image gives the subject some sense of privacy to her image.

Models come to me from many walks of life…, and for many different reasons. We work in collaboration, my model’s input is expected and welcome. Poses are offered, boundaries are pushed, yet respected. I do ask each model to come with an open mind, and a sense of play.

No releases are signed until each image is approve, I shoot for the art market only.

Test: Materials

 

Love the soft lighting in this test.  Still amaze this my Samsung phone did so well, those upgrades have helped.  Maybe a formal change to Phone Series 2018.  My model was very pleased at the results, may have convinced to shoot more for her Tumblr account.  She took me out for a birthday dinner at a fabulous little Italian place I found trough a food writer friend.  Kind of restores one faith in their fellow beings.

 

More to come so stayed tuned.

BACK-LIT: MS RUBY

 

 

A twenty year old college student, so full of herself and her sexuality, she had dabbled in the porn industry a bit. When we met to discuss a possible shoot she came off as a world weary pro. But the quality of my work and the ideas I present intrigued her.

By the second shoot she was comfortable with me, the way I worked, and the way I respected her space. I’d told her that we would again be working out at the farm, but way off in a very rustic area.  Took her to the family graveyard, three old graves, a wooden fence surrounding the plot. This was to be a completely nude shoot. She worked very well, good poses, good movement. These are among my favorites, back-lit, motion, and soft focus. Arty shots.

I Love what I Do!

 

In this piece I wish to convey the absolutely respect, admiration, and love that I hold for these women who trust me with their image and reputation. Because I shoot film it is difficult to show them before hand what I am after in my work. Because I shoot film I have a much greater resolution at my disposal, I can choose to use that resolution for good or harm. These women, some of them quite young in the span of what we know of adulthood choose to trust me. For me to return that trust with anything less than is unfathomable.

In the matter of a Seurat, I begin with a high-speed film, in the darkroom or Photoshop I manipulate the image. I base those manipulation off the brightest point in the piece, just as I exposed the film. Then I craft the image, lighten here, darken there…, just a touch! I love the gestalt, where “the sum is greater than the whole”. The seeming magic I call upon in “seeing” the final piece in mind-eye, of exposing and finally crafting the piece to come as close as I can to what I envisioned.

It is all magical to me, from that first moment I meet the woman for the first time, opening my book and my mind so she can judge in intent of my work. That moment when she agrees to pose…., then the time I get to see her in the eyepiece of my camera. All is magical, the way it happens, the actual shoot, all that goes into to making it a magical experience.

I love what I do, I love and respect the model’s…, most of all I love the trust. These women trust me to do right by them at that moment, and for those moments to come. Film last forever, reputation does not. I choose to do the right thing, the magical thing. I choose to let me my work stand for an idea, and not a graphic representation of womanhood.

Ms Traci James

 

I watch as you move in an elegant way…,

unplanned, spontaneous…,

uncontrived movements

of you.

Unconsciously you move, hands just so

arms just so,

and your legs held…, just so, elegant.

Putting on makeup, unconcerned with the way you look,

but the way you are perceived, the way you relate to the world.

The footing for the foundation of you…,

who you are, and who you wish

to become in this moment in time.

Unconvinced of the gift of you, the treasure

of you…, the worth of you.

Taught, tortured from youth…,

the child inside of you disbelieving…,

basic value that I see shiny in your eyes.

The basics of your life, uncomplicated, easy in your skin,

mind and body; held just so…,

elegant in the beauty of you…,

Elegant in the you of you.

21 December 2010

Traci James (The You)

Mamma Lena and Grace

 

My friend Lena, fetus in tow was to come back for another shoot in the next month or so. Baby Grace had other ideas, how could she project her best side when I couldn’t even see her sides? Mom and Grace, who came into this world at 1:30 Friday morning are both doing well, I wish them only the best. Both will be down for that shoot when she feels like traveling. Welcome to this world Grace.