Mugs

Here is a quick snap of the mugs I got from the lab.  I told them after seeing the first one to think artistic.  These were not mugs of the kids playing baseball or soccer that you sent to aunt Harriett.  These were original work of art that I was selling.  Told them to reduce the image by a quarter inch, and increase the space between the images by that same quarter inch.  Much much better, except that I wanted the insides black to match the black in the image.  Stay tuned.

Rope

Many genres draw my interest, I shoot my impression of a setting…, a cerebration…, an act. All my images are crafted using available light, reflectors, cards, and that most important ingredient: love of subject.

My goal is to create art of you and your body. To highlight the curves, the crevices, and to do so in a respectful manner…, all while capturing the essence of who you are at this particular moment. Explicit or not each image gives the subject some sense of privacy to her image.

Models come to me from many walks of life…, and for many different reasons. We work in collaboration, my model’s input is expected and welcome. Poses are offered, boundaries are pushed, yet respected. I do ask each model to come with an open mind, and a sense of play.

No releases are signed until each image is approve, I shoot for the art market only.

Date’s Matter

 

Playing with rope ideas with my favorite model, Jean Dawson.  Cross-processed, and out of date film…, love the starkness of the image, that brutal hard light.

That the magic has happened, it’s sitting there waiting to be processed. That part of the equation happens at the lab far away. About 10 days till I get a rough idea of what I have gotten; knowing that these scans mean nothing. All told 30 days to get the master scan back from the lab. Only then do I get my hands on the final image of this scan.

Overall I am very pleased with my exposure, held the details in the window. The knot holds-up well, many years since my tying days. A very patient model here as I fumble with remembering long ago combinations.

Image deserves a higher quality scan to get the colors to balance off her skin tone. Only then will I know what the image looks likes…, what I will have to work with. So not for the impatient, or for those in a rush. Time put into all aspects my work…, the care and feeding of a model, the care and feeding of my mind…, still able to come up with ideas. Then to pull it all off, for that magic to happen in camera. And at 70 you say!

BACK-LIT: MS RUBY

 

 

A twenty year old college student, so full of herself and her sexuality, she had dabbled in the porn industry a bit. When we met to discuss a possible shoot she came off as a world weary pro. But the quality of my work and the ideas I present intrigued her.

By the second shoot she was comfortable with me, the way I worked, and the way I respected her space. I’d told her that we would again be working out at the farm, but way off in a very rustic area.  Took her to the family graveyard, three old graves, a wooden fence surrounding the plot. This was to be a completely nude shoot. She worked very well, good poses, good movement. These are among my favorites, back-lit, motion, and soft focus. Arty shots.

Blue Period

I love this image because of the white breast in the midst of all the colours. From the personal collection of mine, with the model consent and approval. The model isn’t all that pleased with the size of her breasts, though I maintain that the size isn’t important. She has no body fat what so ever, she is very lean, active to say the least. I also think she has bought into the idea that she is somehow a lesser woman, because she doesn’t have large American breast. I love shooting her, long and lanky, athletic and fit. We began our journey in nude photography some years ago, she has a special place in my view of women. To me the size of her breast is unimportant. That her heart is in the right place is all that matter to me.

Ruby at the Farm

 

 

 

 

 

The second time Ruby worked with me out the friends farm, we worked in and around the family graveyard. Way off

in the woods, small trials led into the area protected by its remoteness. I found it very peaceful, we worked with a respectful quiet. The mosquitoes, however were out for blood; she sprayed her front, I her back to help repel the little beasts.

In early spring the day was mild, the clouds…, like a giant scrim floating in the sky. As this was our second shoot, Rudy had no inhibitions about nudity, she worked very well…, creatively. Very playful as the camera loved her, she in turn had different looks she tried for effect.