Afternoon at the Farm

 

I’ve been asked more than a few time if I worry about working with nude models alone. To tell the truth I have never given it much consideration because of the way I work my craft. I offer references, give the model a straight forward idea my style of work, now I give the access to my website so they can see what I shoot, and them what to expect. I am very welcoming to significant others check me and the studio out so that everyone is comfortable. I make it clear before any shoot happens that I expect to work with my model’s undivided attention.

For my part I am very respectful of the models rights, and my responsibility. When I work with a nude model I realize that their personal space is much more important for them. To date I have never had a model who even thought I have done anything in the least bit inappropriate. Once I had a younger model who I plan to work with at a friend’s farm. On the way over I told her that I wasn’t sure who else would be there, I assured her that she was not going to be put on any shows for anyone. That if worst came to worst we’d have the nice meal I had brought, and just call it a day. At the risk of being called paternalistic, I wanted her to feel at ease. That’s is the problem though, the same preparations I use to make my models comfortable, are the same tactics predators use to lull their victims into a false sense of security.

Then there is the matter of the release, I want my model or subject to see everything I have captured before they sign. I want for them to be comfortable with what we’ve gotten, after all we work in a collaborative manner. Many times I work without a release at all, preferring to be able to get in touch with the person, tell them what and were I want to use our image(s). Since I use real film this can get quite expensive, a few times the model decides to not sign. Those few times the whole shoot has been an expensive waste of resources. I can only use the images for display only, no sales are permitted, really that is fair. Now not everyone works as I do, my models work with the anticipation of sales to follow. My work is sold in galleries, or used in books, my website, or I donate it to various organizations that foster a positive sex culture.

Again not everyone works this way, but I feel very strongly about my images, and the way I work. I work very hard at my craft, I get some beautiful images in the pointillist manner. I am proud of my work, the people who chose to work with me…, how could I not take the steps necessary to make it a beautiful experience for all.

Shit Does Happen

 

Another from the archive from way back when. Over the years this model and I did a lot of work, some sessions worked real well, others not at all. Bad chemistry, just an off day…, this session worked really well, we were in the zone.

She came down as I remember for a quick shoot, had to go back for work. We were having such a good shoot that she called into work, told them something had delayed her, she cover the next day. Because we were old friends we had wine, started working she wearing a string dress with black undergarments. In the middle of our shoot a guy from next door came out to use the facilities. He froze in place seeing a scantily clad young woman posing against the block glass walls, I am sure he got a good look too.

My model was nonplussed, not too much later she got into her panties for this shot. After we moved into the studio for more work, the vibes had changed somehow. She complained that I always wanted her nude, which tell the truth was right. But sensing the mood change I told her she could put something on if she preferred, she fled into the changing room. We did work some more, but the spell was broken any film I shot from that point on was a waste. So I suggested lunch, a relaxed lunch at that, then she went back home. No harm…. No foul, things just hadn’t work out as we had planed.

I’ve learn over the years from that things just happen that are beyond you control. Shooting film it can get expensive, Shooting the way I do, no release is signed before the model get to see what we got on film can really be expensive. I’ve had model change their mind’s only after the expense of the shoot we’re covered. Hard not to get annoyed at that point, but shit does happen so learn to move on.

Blue Period

I love this image because of the white breast in the midst of all the colours. From the personal collection of mine, with the model consent and approval. The model isn’t all that pleased with the size of her breasts, though I maintain that the size isn’t important. She has no body fat what so ever, she is very lean, active to say the least. I also think she has bought into the idea that she is somehow a lesser woman, because she doesn’t have large American breast. I love shooting her, long and lanky, athletic and fit. We began our journey in nude photography some years ago, she has a special place in my view of women. To me the size of her breast is unimportant. That her heart is in the right place is all that matter to me.

Film Order

 

 

What a wonderful feeling after so long a wait, to be able to buy film. Not that the things holding me back have eased, not so much, but I have enough to work on. One of my first model’s to begin working with me on what has developed into the new series. I’ve know this woman for thirteen (13) years now, (seen on FaceBook) the boyfriends come and go. Never ever thought the both of us would still be involved with each other lives this long. Like so much of my art it has evolved over time, organic, the friendship has deepened. I’ve invited the model to my shows, or tell them when a magazine has picked our work to publish. I love educating new model to the world of art, how our work fits into the show.

So too has my relationship with my other models has grown over time, the nature of our work, what to submit to magazines, websites that handle art. Those models who wish to be involved are welcome, those that do not want to be bother, I let them be. With this new series I have someone who I work with, not everyone is so open to the type of images I want to make. I keep my options open, always welcome back models who have worked with me in the past. I welcome new models, they work with what they are comfortable with, I never require models to pose in ways they are not fully behind. Trust is key to my work, something that can only be built by getting to know each other, how we think. It’s the only way I work.

I find myself in a wonderful position, two (2) models, two different ways to pose. Each with a rhythm of their own, different set of values: its exciting. So return to the subject of film I need to buy, how my choice of film, model…, each bringing their personality, moves, and desires. Then I get to the real artsy stuff, expired film, those unpredictable colour shifts. Maybe a cross-processed roll of slow film for the movement, mystery, the flying by the seat of the pants feeling. The wait for real film to return from the lab. Part and parcel of the magic of film, exposing it for results hoped for, not for the faint of heart, or of imagination.

A return to the old days, the old ways, waiting to see if the magic has stuck, or a near miss. I love the suspense, the anticipation. I’ve spent decades work with these films, I know how they work, how they are supposed to work, then with the broken rules what you should expect. Now long out of date, the unknown…, what will I get, how will my model react if nothing shows up, least not model portfolio wise. That is the magic, the curse of my art, the great unknown is the way I work, nothing ventured, nothing gained.

Checked the film vault, an old Tupper-ware container I have kept for many years now. Oh want delights! Film I had purchased in my N.Y. days, slower ISO that’s why it survived so long. All color film, all way out of date, oh the colour-shifts.

I was talking with a friend the other morning over breakfast, I told her how much I enjoys treading the needle. I want to produce a new piece from the current series, that is FaceBook pure. I do not support censorship, I will not show my work with a black bar, defused area because some white male is uncomfortable with the human body. So jerking a few chains does not bother me, I push boundary.

Vulnerable

 

This model and I shot at a friend’s farm near Austin.  It was out in the middle of nowhere, off a dirt road of sorts, around the fields.  Just in her twenty’s, and full of herself as we all are at that age.  We had a nice time of it, good strong poses, self-aware with attitude.  A true red head, fiery in the way she could attack her poses…, me if I was un-wary!  Wore her mother’s outfit from her days as a hot young chick.

No disrespect, young and carefree we all were, made it to this age, and you learn certain things.  But at twenty you haven’t formed those connections yet, you can use someone with ethics in the profession.  The term “My Girls”, has caused a great deal of consternation in the circles I run in, and getting advice from friends on building this site.  “My Girls”, I have a protective arm around them spiritually, I lay out before the shoot all the details.  “You will always know where your images are posted, as long as I have an active email address” I tell them, and I do follow through with that promise.

Every one of these young ladies knows about my site, and have full access to every image.  Those who’s images I plan on marketing, know about my strategy, and how each image was carefully selected.   We still have in place that partnership promised so many years ago, with time-off for my stroke and recovery.  Now that I am back on my feet, getting back to parts of the life I knew before my stroke…., and the long, long road back.

My thanks to these young women who trusted me to do right by them.  To protect their names, and reputations now that they have a life established.   Each and everyone is still My Girl!

Welcome to Michael Vasquez Art

 

Welcome to my work.  You are encouraged to stop, have a look around.  Here you will be able to read my words, about my work, and what makes me tick (work).  You will also get to meet my models, please treat them with respect.  They are the core group of young women I was lucky to shoot with in the years before my stroke.  It has taken me twelve (12) long years to get back to almost the way I felt before.., but not quite.  Post stroke I still have my problems, and limitations…, but I feel more alive than ever.  The background (Mattes) I crafted with the help of PhotoShop, and I have a selection to choose from.  The image were created using real film, available light, and then were scanned.  Please join my reinvention of a life, and the art I create.