In My Assistant Days

B & W Image, mid-thirties, Michael Vasquez, full length, dapper pose.
Me in my mid-thirties on a wander about the country side.

Assisting Days

In my early assisting days, I was in that learning phase of my career. I was hired by a local photographer full time, I slowly learned how the game was played. There was absolute dearth of information about how to earn a living as an assistant, it was left up to chance to develop my way forward. In the beginning I got the minimum required for the job I performed, as I learned more I about processing film and how to print I became more valuable, my pay went up. I was encouraged to become a shooter as well and that was a big help.

There weren’t many assistants in those days so I pretty much had the field to myself. My city was poor at that time, and very racial, that I learned as a small boy. I could see that the deck was pretty much stacked against me, so as I grew I developed into my own personal set of goals. To get by with blending in, not to draw attention to my ways. I knew that life was short so I decided to enjoy my youth while I was young. To work enough to eat, play, keep a good roof over my head, and help those that I came to love. In school I learned that I was in the working class, blue to white collar was my limited options. I found that I had a calling to working in wood early, I learned to help my teachers on their project. So naturally I found that when push came to shove I had something to fall back upon.

I moved to Toronto Canada while still a very young man, I was an avid watcher of the news, my moral compass was a prime motivation to that move. My first job was for a man who was opening a club, he needed help with the finishing touches. When I went to get my papers which allow me to legally work they asked what skill did I have, naturally I told them about the photography. The immigration man told me those jobs were for Canadians only, to pick something else to do. So for the next thirteen years I worked best with my hands and mind.

When I returned to the states I did not want to grow old as a carpenter, I wanted my dream. Back to square one in my search for work however now I had a goal for me, some knowledge. I even worked for a time in the retail end of the business, but when offered a full time position I quit. I worked for a time as a stringer for a bigger newspaper, then was hired to work with another photographer as an assistant. When business started to fail I started working as assistant to traveling photographers from all around the country and soon developed a reputation so I got jobs with national guys. The more I worked the more I learned. So when the market fell I decided to go to New York and ply my trade.

Color image, shadow of Michael Vasquez shooting the trees.

A side note: I have been having writer-block for the past few months. A lot has been happening like a new model and a visit with an ole friend. If you have read my blog you are used to a certain direction, I’ve decided to try something different here now. It is my hope that you will like the changes, and if you don’t…, well the changes are here.

Changes to Site: Sans Image

Summer's Light web

Changes have come to my life, and my site, please bear with us as we make adjustments. Those life changes have come about as I prepare to enter my seventh (70) decade on earth in a little over a year. The need for recognition of my body of work, and the mindset behind the person with the camera is suddenly important. The idea of my work discovered by person’s passing by, and finding a dusty box is too much for me to handle.

I had been working with film so long its second nature to me, like scratching an itch. In the years before my stroke, I used to go into a sort of hyper-drive. Moving almost by instinct, sensing the light as it changes, sun movement…, then translating that information into usable form for my camera. The aperture set, though not in stone.., play with the light, play with the model, set her free to move, feel the freedom and the approval. Meanwhile set the camera to the changing light, flash or no? Moving in a blur of motion, words, grunts, and “Ohhhhh!”. The absolute highest form of approval I can think of.

Models know when that have reached that sweet-spot, a little smile and they are off working that pose for all it worth. That vein of gold, worked till its played out. Its a partnership of the most intimate nature, second only to the actual act. That trust doesn’t come overnight, and a sort of “Stockholm Syndrome” can set in. The model can become so relaxed, and comfortable with the shoot, that they sometimes have regrets later about how much of themselves they exposed. So often models come at a vulnerable stage of life, where they are bullet-proof against any real harm.

My response is to stay profession, yes that pose or situation was very intimate, maybe sexual in content, and now the “buyer remorse”. I keep to my word, and no release was signed until all the work was seen. Those safe-guards I talked about, and you didn’t listen, are still in place; only time can prove that I have kept my word.

Life go on for the both of us, we go about the daily routines of our lives, never giving a second thought to life we lead. Then in my case, a major stroke that nearly killed me. I was hopelessly trying to pickup the pieces of said life that lay shattered before me. Nurses and doctors were telling all my friends to not expect much from me, things were touch and go. Took me years to get back most of what I had lost, but not quite. But considering the odds I was first given, I have not done too bad.

So too life for my site has changed with the time, and time limitation on my ability to create my work. To tie an otherwise very rambling statement together, these are reality of the various parts of my life and work. Now I have reached the stage where your help is needed to get that recognition, and to insure that my work can continue. With my partner, Hans Hoevenaar we are happy to present my new website dedicated to bringing my work the recognition it deserves, and perhaps some income so I can continue.

No need for a happenstance to bring my work to your attention. I have creating a new treatment for my work, limited for now to the smaller prints. Background matte printed with the same care and attention to detail that shows in my work. Elements from your print have been used in the creation of your matte that bring the work into a feeling of Ma, the Japaneses word for harmony, best explained thus, “Ma is not something that is created by compositional elements; it is the thing that takes place in the imagination of the human who experiences these elements”.