FaceBook censored this image as disagreeing with there guidelines. Why is America so afraid of nipples?
FaceBook censored this image as disagreeing with there guidelines. Why is America so afraid of nipples?
A twenty year old college student, so full of herself and her sexuality, she had dabbled in the porn industry a bit. When we met to discuss a possible shoot she came off as a world weary pro. But the quality of my work and the ideas I present intrigued her.
By the second shoot she was comfortable with me, the way I worked, and the way I respected her space. I’d told her that we would again be working out at the farm, but way off in a very rustic area. Took her to the family graveyard, three old graves, a wooden fence surrounding the plot. This was to be a completely nude shoot. She worked very well, good poses, good movement. These are among my favorites, back-lit, motion, and soft focus. Arty shots.
I love this image because of the white breast in the midst of all the colours. From the personal collection of mine, with the model consent and approval. The model isn’t all that pleased with the size of her breasts, though I maintain that the size isn’t important. She has no body fat what so ever, she is very lean, active to say the least. I also think she has bought into the idea that she is somehow a lesser woman, because she doesn’t have large American breast. I love shooting her, long and lanky, athletic and fit. We began our journey in nude photography some years ago, she has a special place in my view of women. To me the size of her breast is unimportant. That her heart is in the right place is all that matter to me.
Mamma Lena times have changed for us all. My “Watermelon Girl” has grownup, and is now carrying her own child. Welcome back girl!
Esperanza came into my photographic life when she was 22 years of age. She was a little firecracker of a young woman just entering her prime. So full of herself, willing to play, had that confidence only youth can bring. After that first shoot she came back to my apartment to have a bite to eat, and to talk more. She was the wife of a friend of a friend of mine, trying to find what she wanted out of life. Later as we did more shoots we went out for lunch after. She’d take my arm going into which ever restaurant we had decided to go to. All male eyes, and not a few female eyes were riveted on her, I felt so special to be the man who had her on his arm.
She was among the first women to tell me that shooting gave her all the benefits of an affair without all the compilations. She’d try different personalities to see what they looked like to others. It was fascinating to watch her as she changed from one personality to another. Like most of my models, she came without eating anything so she’d keep that slim profile. But when that alarm sounded, we had to get her fed ASP.
Even after I moved to New York City, I’d let her know when I was coming into town, we’d setup a shoot. I’d try new lighting setups I’d seen in my work with other photographers on commercial shoots. Because she loved to play, we’d try different things…, but she was hesitant to shoot completely nude. I did get a few shots of her in the all together, but her heart wasn’t into it. To this day I don’t understand her reasoning as she always had a terrific figure made for photography. But I accepted her wishes, warned her when she was showing more than she want seen.
I feel that it is important to work with the models limits, not to cop those shots the model is unaware of. In return she has the confidence in our works to give me carte blanche in using the images we have shot. I also feel that its the right way to go, to have that trust that you honor in all my dealing with my models.
I moved into the new apartment towards the end of summer 2005. I finally had an apartment big enough to have a small studio, in addition being old enough so I had some interesting features to work in. I set about making my home/studio easier to work in, sheers on the windows. I kept the living-room/studio free from clutter, like any comfortable chairs to sit in. But I had my space to grow older, to pursue my art, and I finally had my office. Life looked very good for me, I was pleased with the plans I had, looked forward to my first shoot over the winter holidays.
That October I had the stroke that laid me low. The deal I made with my self-destructive side, take your best shot at taking me. If…, if I survive, then get the hell out of my way. Little did I count on having to try to reverse the effects of stroke. All strokes are particular to the patient, mine was a blockage in the left side of my brain. Right side of my body, flaccid, absolute paralysis. Confined to a wheelchair, only left side of my body could move. Only one side of my brain was functional, I was in deep shit.
So the deal with the devil was made, I kept to the bargain, doctors, nurses were telling all my visitors not to get too excited about any progress they saw. I on the other hand, not knowing what they thought they knew, I went ahead to try and reestablish the me I knew. Took the better part of twelve (12) years, fighting for every return to body, and mind. Now the harm to my body has healed as best it can, my two sides are now out of balance. My mind…, my mind too has healed as best it can, I count on the plasticity to seek out those pathways back to me. My brain is still injured deeply, that’s where the damage still haunts.
So the new series came as a blessing, both for mind and creativity. I have worked hard at getting the creativity back in as good a shape as possible. Enter model, muse, friend, to save me, to give me hope. It demand a model who knows me, trust me, believe in my vision…, and believes in me as a man. This my first attempt at a series of found objects in nature, and very private spaces on the female body. The working title “Natural Curves”, a juxtaposition of bark, seeds, pods…, wherever I can find in nature with there wonderful curves, set next to the bodies curves. The whiteness of her body, the darkness in the object. The play of light, darkness, enticing curves of the most intimate nature.
So with this as my background, I began setting up my home studio. It was the easiest setup I ever done, called on all my years working with the professionals. I had the depth of my living room to set the muslin background complete with a sort of drop shadow, taken from endless product shoots. I fashioned a comfortable table for my model to try different poses for the areas I wanted to use. Those areas had been determined by a test we had as to feasibility. This setup for the main event, the actual shoot where she has to hold the pose, and the object in place. We shot film as well, for the lighting, and background.
I’ve had to curb my model from posting these test shots. Next comes the hard work of the actual shoot which will be so much better, but for a test these look so good . I have to curb my own enthusiasm, more as we progress.
This model and I shot at a friend’s farm near Austin. It was out in the middle of nowhere, off a dirt road of sorts, around the fields. Just in her twenty’s, and full of herself as we all are at that age. We had a nice time of it, good strong poses, self-aware with attitude. A true red head, fiery in the way she could attack her poses…, me if I was un-wary! Wore her mother’s outfit from her days as a hot young chick.
No disrespect, young and carefree we all were, made it to this age, and you learn certain things. But at twenty you haven’t formed those connections yet, you can use someone with ethics in the profession. The term “My Girls”, has caused a great deal of consternation in the circles I run in, and getting advice from friends on building this site. “My Girls”, I have a protective arm around them spiritually, I lay out before the shoot all the details. “You will always know where your images are posted, as long as I have an active email address” I tell them, and I do follow through with that promise.
Every one of these young ladies knows about my site, and have full access to every image. Those who’s images I plan on marketing, know about my strategy, and how each image was carefully selected. We still have in place that partnership promised so many years ago, with time-off for my stroke and recovery. Now that I am back on my feet, getting back to parts of the life I knew before my stroke…., and the long, long road back.
My thanks to these young women who trusted me to do right by them. To protect their names, and reputations now that they have a life established. Each and everyone is still My Girl!
Welcome to my work. You are encouraged to stop, have a look around. Here you will be able to read my words, about my work, and what makes me tick (work). You will also get to meet my models, please treat them with respect. They are the core group of young women I was lucky to shoot with in the years before my stroke. It has taken me twelve (12) long years to get back to almost the way I felt before.., but not quite. Post stroke I still have my problems, and limitations…, but I feel more alive than ever. The background (Mattes) I crafted with the help of PhotoShop, and I have a selection to choose from. The image were created using real film, available light, and then were scanned. Please join my reinvention of a life, and the art I create.
My latest background, and model Ruby, from the Farm Shoot. First time working together, took her to an old farm some friends rented. I warned my model that I didn’t know what we would find when we got to the location. First time I had used the farm as well, not sure as to how much privacy we would have; so we might end-up having a nice lunch with cold wine to wash it down. Let them know when I was on property, that we’d say hello after.
Ruby and I set to work, getting comfortable with each other, and the way we worked. I was very pleased, relived to find she had very good poses, and looked terrific in motion. Funny how this was a “still” shoot, yet her movements were wonderful. That’s something I work hard to capture, that playful exuberance only the young have. We played with each other, or rather she played for the camera, I was just attached. I will upload them as I find the time to give each one the attention it deserves.
A word or two about the backgrounds, in a break from traditional plain white matts for each print. I craft a unique background matting for each print, or you can have that plain white border if you rather. The image was created using real film that was scanned to PhotoShop, with the traditional techniques in the handling. The backgrounds are a product of PhotoShop, and are crafted to compliment my images.
I try for a certain balance, a zen like feel; Ma the Japaneses words for, “it is the thing that takes place in the imagination of the human who experiences these elements”. Like an old friend, seen in the mind-eye wearing their favorite outfit. Get to know my works for who they represent, the creative mind behind the images.
Not too bad considering my studio is in an old house, built on the patch of land that used to be a dairy. I trust that the magic will find our shoot anywhere, just use your imagination Also people ask me if I don’t get tired using the same backgrounds, and props? No, each woman makes it her own outfit, location, pose. It’s magical what two people can do for and by art.
I’d like to mention that I may have a lovely model with a very enticing look so stay tuned.