So lovely I think I’ll let her stand alone.
So lovely I think I’ll let her stand alone.
Cross Processed film all the way! I had to talk really well to capture this young lady. Shot at Onion Creek, Texas on a family plot in the woods. Started of well, got good images, but I gave her some advice that didn’t sit too well. She said, ” I already have a dad!”…, ouch!
Welcome to a retro look at my work, you are invited to stop, look around and see what you like. Polite comments are welcome, but remember your manners please. A few words about how I work, I use traditional film, where possible available light. I come from a photo-journalist background so my work is only retouched the way I would process in the darkroom; darken here, hold back the light there, spot the prints. With real film what is on the negative is what you get, so NO special effects are being used in the manipulation of my negatives or prints. In the end my product is really just a matter of time and light.
This, more personal side of my work as well as some of the model’s who have worked with me. I have been shooting intimate photographs of women for what feels like all my life. I am very motivated by the sensuality of the body and mind. I truly value each of the model’s I’ve had the good fortune to share a collaboration to produce the work that you see. These young women trust me to do right by them, and I am very protective of their rights. My model’s each get a percentage of the sale price for each and every piece of art sold of our work. Each of my model’s privacy is respected, anonymity or the use of a stage name is entirely at the model’s discretion.
Good model’s work hard, sometimes under trying situations , nekked to boot. It’s an investment of time, both hers and mine, and that indescribable chemistry that may coax the magic to strike. One can never tell, sometimes the most promising of model’s: no spark. The fact that they are unclothed should matter as an afterthought and not the primary focus. A final word on the term “my girls”, its not meant in a paternalist fashion nor does it imply ownership any sort. A very fragile and very special bond is formed when a man and a woman work together so intimate a manner, and that trust should never be violated.
So once again welcome, get to know my girls. What it is that makes them tick, to carve out a space for them to be them. I invite you into their lives and minds at a particular time and place.
Easily my youngest and most vulnerable model ever. After getting comfortable with each other, we settled to the business of art. That small chip she carried on her shoulders fell off, and she began to trust me. After the session when I showed her what I had gotten, she turned to me and said this like “real art”. I told her there was a difference to working with me, I have your back still.
Now in her thirty’s and wife and mother. Long time has passed and she too has talked about getting in front of my camera once again. We’ll see, but even the idea that she’d come again is great.
Took this lady down into an arroyo hence the dive suit. A warm Texas day so the suit stuck to her, she needed my help in getting out of it. Even though she was used to posing nude, it was a good way to break the ice and get comfortable. Cross processed the film and the background was more than a pleasant surprise.
My lovely friend Esperanza, akin to a blonde tornado she has been in my photographic life for many years. First came to me at age 22, she has always been a very private person, unless she isn’t.
Liv Sage is a wonderfully talented young artist and model who has seen a phenomenal reception in the photo world in the past year and a half. Freckled and red haired, belie the old soul that resides in this diminutive intelligent woman. Working in close relationship with several photographers she has build a very impressive body of work as well as a even closer bonds.
“Sometimes I wish there were more things I cared about, and that I cared a bit less about the things I do care about. Being spread like thin elastic over many things, and having them push and pull against me would be preferable to pooling in one place like water to be tossed about by that one thing I care about.”
Would you give us a quick peek at your background, education, how you looked at life as a child and as a young woman.
Liv: “A quick peek would be…I am relatively well-educated. I consider my background to have been a good one, and I love my family but do not discuss them publicly.
How I look at life has varied throughout different parts and pieces of it. This is dependent on age, location, and all sorts of circumstances, so it would be a bit difficult to say I have a specific outlook on life as this is so context dependent. I’m curious and observant. This is an easy thing to say, so I’ll define my outlook in those two words for now.”
Studying your Tumblr site, I notice you have made inroads into the photography community in record time. What do you feel is the draw besides your youth and that perfection of youth.
Liv: “Well, I don’t know whether ‘perfection’ is actually a characteristic I possess, in fact I’d claim exactly otherwise. But, in terms of making inroads, I try to exercise good judgment about what sort of work I do, who I work with – especially on a consistent basis – and how I conduct myself professionally.
But, I think it’s necessary to note that I’m not as young as I appear. I’m closer to 30 than to 20 at this point, which I don’t consider a bad thing. Arguably, this has also been an asset to me in choosing good work and exercising good judgment. This isn’t to say that it isn’t possible to do so at a young age, but I would say, for myself, my judgment and sense of self worth has become better as I’ve gotten older.
I’ve been told that the draw to working with me is my taste – i.e. who I’ve chosen to work with, what type of work I prioritize, and my artistic tastes.
And then, of course, there are people who hire me for my hair color alone. Which is completely fine, and I understand why that would be a draw as well.”
I am duty bound to ask about your body hair; as a young man I had a girlfriend who also decided to forgo the razor and the effects were fascinating to watch. How do people react to you?
Liv: “You are duty bound to ask? Who is the one holding you accountable for the asking?
I’ll end my sarcasm there and just say, people are almost always fascinated by it, not always in an appreciative way, but fascinated nonetheless. It doesn’t bother me either way and a criticism of something like that won’t sway my opinion on it one way or the other.
So, I mostly tend to ignore the reactions altogether unless there’s a particularly funny reaction. I think my favorites are the ones who identify me by my pubic hair alone, as if it’s more than a physical attribute but rather an indication of who I am as a person. This is a funny concept to me, and I don’t know how they came up with such an odd idea.”
One can’t help but notice you get a lot of comments about pubic hair, but not many after you asked for all comments to be made in the form of a limerick. What do you think that says about the commenters?
Liv: “Actually, I did still get many comments after I demanded limericks. But, I demanded limericks in an attempt to get the comments to stop. So, when I started to get limericks, because apparently no one took the hint, I simply ignored them.
Not as interesting as you likely thought. Though, some of the limericks were sort of clever – which was also a demand. You had to write a good limerick. Though, no one wrote one clever enough for me to post, so I did not.
In terms of what any of this says about a commenter…Well, I wouldn’t want to hazard a real guess. Perhaps they are curious? They realized I have a box on my blog that says they can ask me anything and so they did? I don’t really think it says much of anything about the commenter other than they saw they could ask whatever they’d like and so they did. Now, why they would ask about pubic hair over all else? I’m assuming because it’s one of the first things they noticed. If I had very large breasts, I think they’d ask about that. If I had long black hair, I think they’d ask about that. If my body was completely covered in freckles, I think I’d get questions about that.
I don’t think there’s some over-arching characteristic of the people who ask these questions though.”
Also you are very generous in having your pubis photograph, in my own work I pay special at
tention to the ladies who give me great latitude to work with all parts of their body. How much would you say that has open doors for you and how much trust does it take you?
Liv: “Well, I’m really not. After all, the pubis is a bone that forms the pelvis inside the body. So, I’ve never had that photographed with anything other than an x-ray machine.
But, I know what you mean – I’m very generous in having my pubic region photographed. Much of this is because I have pubic hair. I will allow this area to be photographed in certain ways. Though, I do still have restrictions, which is worth noting. I don’t allow spread shots. If my inner labia, clitoris, or vagina accidentally show in a photo, I do not want the photo shown. I will never willingly show those areas in a photo.
So, I will allow my pubic hair to be photographed and to be very visible. But
, I still have my restrictions. It is not a free for all in the least.
In terms of how much trust it takes, I’m very comfortable with my body. I think that has
opened more doors for me than the mere fact that I’ll allow my pubic hair to be in a photo. If I allowed it in the photo but looked uncomfortable, that would not be a good photograph. If I did not allow it but looked comfortable, that would be a better photograph than the former. Of course, if you are a bit more free with your body and restrictions while also being comfortable, it’s a lot easier to get a good photo.
But, I don’t let someone photograph all areas, still. I take my own comfort into consideration depending on context.”
As your modeling career has unfolded you are working with some very good photographers. One can’t help but notice your skill has improved as well as the emotion that comes out in the darker work. Comment
Liv: “I am working with very good photographers, yes. And I would consider some of these photographers to be friends. I tend to do my best work with the people I am actually friends with, and expressing emotion, from that standpoint, becomes quite a bit easier.
And, over time, it would be expected that skill has improved. I try to always eat well, get enough physical activity, understand my own body, etc. And, I’ve become more comfortable over time – with my body and with the nature of this line of work – so that has helped immensely.”
And how much is it affecting your art? How do you feel the photography has helped you to be a better artist. I see a growth in your modeling surely you’ve noticed a growth in your art as well.
Liv: “I’ve become a better artist in terms of collaboration on artistic projects. Most of my previous artistic experience was done alone, so collaboration is new to me. I’ve begun to prefer this – or to at least appreciate feedback more than I did before.
In terms of whether it has helped me to be a better artist, I don’t know. I’d let someone else be the judge of that.
Though, I think modeling for artists has helped me to become a bit more inventive more quickly, and I’m less inhibited about expressing emotion than I used to be. I’d generally consider both of those to be beneficial in terms of my own art.”
Where do you see yourself in the next 10 years photographically?
Liv: “I might have brief imaginings of what I might be or do that far ahead, but I try not to let them be more than wondering about future moments. It’s not something worth dwelling on for me as I couldn’t possibly predict anything with any certainty.
I suppose that I’ll try to make it interesting. That’s as much as I can say.”
Oh, and the film I waited an hour for: