Long Ago, Far Far Away

 

From the series, “Long Ago, Far Far Away,  this image is from out adventure a little north of Toronto. A cement blockhouse way out in the middle of nowhere. One of my favorite spot to work, a small complex of building that in its heyday made cement products. I took a number of models out there, I say models, usually nurses I’d met at the hospital we work at. So remote that privacy was assured, bonding was sure to happen.

Some of the “models” work out, some did not, hard to tell how someone will work. Still we had a great time out in the wilderness.

Long Ago and Far Far Away

Way back in my younger days, days when I was finding who I was…, what I wanted to be when I grew-up…, there was a girl. Her name, details about her are not important except that she was a lovely young woman, very kind. Ultimately we wanted a different sort of lives and loves. When we first got together she knew that I, at heart, was a photographer/artist…, I am not sure she understood all the baggage that entails.

She was adamant, if I wanted to shoot nude models she was more than willing to pose for me. I took her at her word, she became my live-in muse. All the ideas I had, but had never found a willing model she was up for. So I tested out my ideas, then tested them again till I got what I was trying to capture. Many long hours of getting her into position, getting the light just right…, and the dark. Always the dark, dark side of me, dark side of my life, and my art.

Once after posing for hours, I told her she could get dressed, I thought I had what I wanted. She looked up at me, said that I could shoot all the nude models I wanted to. I was so surprised I almost dropped the piece of gear that I was putting away. Not wanting to look a gifted horse in the mouth, I had to ask how come. Because you weren’t looking at me as a woman was her reply. No I said, the angles, the light, the darkness…, I tried to explain how I was seeing her, but not HER. She stood, patted my arm, kissed me on the cheek and said to enjoy myself.

So I did, I got a studio, brought women to the house to pose. Even got a couple of her friends to pose. I kept my part of the bargain, I was in it for the art of what I was trying to learn. All was fine for a few years, then they weren’t. We started bickering, then all out arguing…, we were no longer the people that we had started out being. I started to miss the life I had lived, the single life, then I found someone.

My muse and I decided we needed a break from each other to clear our heads , to think about this life we had together. She booked a room downtown, I stayed at the apartment, each of us were closer to where we worked for the week. By an unspoken agreement we each did out own things with who we wanted. For me it was that taste of freedom I’d wanted, a few nights with the new woman.

This woman I’d met didn’t want a commitment, she had plans for her life. She was content that I had a live-in girlfriend. I was perfectly fine with that…, except that it wasn’t fair to the live-in girlfriend. At the end of the week she came back. Then came the hardest talk I have ever had with a woman I once loved, still did in my way. It may seem cruel, I said I wasn’t leaving her for anyone else…, that I was leaving for me. That we weren’t happy and I didn’t see how we would ever be again. I was honest in that I missed my freedom, that I just didn’t want to be in a committed relationship anymore.

I was reminded of this phase of my life while listening to Sam Smith’s Midnight Train. How do you tell someone that you still love, that you do not love them in that way anymore. Which way is less cruel, staying with someone you don’t love,or to tell them why you are leaving them so they can move on with there lives?

Anyway, this image is from better days with my muse. Days in which I did love her, still do in my own way even after all these years have passed. I hope the life that she wanted turned out well for her. She still has a special place in my heart and mind. This image of a lovely part of her anatomy I always thought was very pretty. To be shared and not sold, just a special part of her that I was allowed to capture.

I did then what I knew how to do. Now that I know better, I do better.” Maya Angelou