Esperanza

Black & white image, glass block wall, topless,black panties, blond leaning against wall.

Esperanza came into my photographic life when she was 22 years of age. She was a little firecracker of a young woman just entering her prime. So full of herself, willing to play, had that confidence only youth can bring. After that first shoot she came back to my apartment to have a bite to eat, and to talk more. She was the wife of a friend of a friend of mine, trying to find what she wanted out of life. Later as we did more shoots we went out for lunch after. She’d take my arm going into which ever restaurant we had decided to go to. All male eyes, and not a few female eyes were riveted on her, I felt so special to be the man who had her on his arm.

Color image, cute blond, winter wear, standing in front of a silo, last of winter greenery.

She was among the first women to tell me that shooting gave her all the benefits of an affair without all the compilations. She’d try different personalities to see what they looked like to others. It was fascinating to watch her as she changed from one personality to another. Like most of my models, she came without eating anything so she’d keep that slim profile. But when that alarm sounded, we had to get her fed ASP.

Black & White image, topless, long haired blond, in front of bedroom window, staring out window, wearing a white sarong.

Even after I moved to New York City, I’d let her know when I was coming into town, we’d setup a shoot. I’d try new lighting setups I’d seen in my work with other photographers on commercial shoots. Because she loved to play, we’d try different things…, but she was hesitant to shoot completely nude. I did get a few shots of her in the all together, but her heart wasn’t into it. To this day I don’t understand her reasoning as she always had a terrific figure made for photography. But I accepted her wishes, warned her when she was showing more than she want seen.

Color image, black panties, tight shot of black panties.

I feel that it is important to work with the models limits, not to cop those shots the model is unaware of. In return she has the confidence in our works to give me carte blanche in using the images we have shot. I also feel that its the right way to go, to have that trust that you honor in all my dealing with my models.

Young Model’s

Color, nude, naked, arroyo , dry creek bed, dark haired beauty.

The problem is that young women are not prepared to understand or handle a situation like this, an older man with power and influence was carrying on, saying this is the way its done in the business. To me its not surprising because the higher functions of the brain aren’t developed until later stages of development. That is the concern I have about expecting young models to think through all the ramification of posing nude. I also have problem with thinking these “kids” as full grown women. That they should be treated with all respects as fully grown people at any age is a given, early twenty are still kids. I don’t want to take advantage of them at that age, I run the risk of being seen as paternalistic, yes I will shoot young women, but my preference is 24 at least. Yes I do get a release, but to think that gives me the right to ruin someone life because they agreed doesn’t mean I can use the images indiscriminately. Maybe because of my younger man’s experiences, kids don’t make the smart moves at that point. That’s why I still ask the women who are in contact with me if I can use their images for whatever I am trying. Having developed my own brain has given me an appreciation of the not yet developed brains. I know a lot of photographers who say “well I have a release!” To my way of thinking, yeah you do, but you should ask first…, maybe she has a reasons (like kids) not to want to be exposed like that, or to use identifying information with an image.

Young model nude, naked, white shirt, red haired, boots.

I had a model who was 24 at the time, but a young very naive 24 yeas old, She came from a farming background, wanting to make up for lost time. I could see that she was testing herself, testing her limits. We’d been shooting nudes, she was tired of that, too vanilla.., so I said, partly in jest why not masturbate for the camera. NO she said, but I could see she was thinking about it, was she brave enough. Now don’t go jumping to conclusions, I knew she was ripe for someone to take advantage of her. I also knew the way I worked, knew that I would be willing to protect her and her images. She said yeah but I have to get comfortable. So I got some really lovely stuff mainly because she didn’t know any better than to fake it, so when she left she was happy as a clam. Only after she had second thoughts, asked her friends, they told her she was nuts, that her job was in jeopardy. I told her not to worry, I wasn’t going to do anything without asking first. I kept my word, but still doing that was her concern, what did I think of her really.., she wasn’t that kind of girl. Finally a few summers ago we had the chance to really talk. That I had thought of all the ramifications before we actually shot, that I was willing to protect her, while someone else might not. Told her that I didn’t think that she was that kind of girl either, that I respected her, that I was still protecting her and her images. She was so relived that I didn’t think poorly of her. We went though the images again, told her how proud of was of the both of us, that she needed an outlet at the time that wouldn’t harm her. So all is good between us at long last. Spideer blouse, young model, class of champagne, toast blond, black and white, see through blouse.

Not everyone works the way I do, with my past mistakes of my own, made when my brain wasn’t fully developed, I have learned a hard lesson. I think of a shoot a little like the Stockholm syndrome, a model gets so comfortable with a photographer, that she wants to please him or her. Then has second thought, but its too late by that point; any damage has been done if she has signed that release. I don’t want to be that photographer…, ever! I want to do the right thing by my models then and now. I think that’s the reason I haven’t had problems. I do the right thing, even if it cost me money. I have found that the rewards far outweigh any monetary harm.

Young model, red panties and red shirt ,smoking, look down, color ima

Youngest Model to Date

Easily my youngest model, and most at risk. Just turned eighteen (18) with a toughness beyond her meager year. Already getting involved in the sex business, her portfolio was full of images that featured very intimate images. We made arrangement to meet, look over my work to see if she was interested in working with me. I told her point blank that her portfolio was showing too much of her, that no one was looking at her face. She very frostily informed me that she already had a manager. She agreed however to pose for me.

Youngest model, topless, young, work for trust, tough, street kid.

She came out of the bathroom in the cuties little bathrobe, smoking a mile a minute, her foot beating out a quick tattoo. Let out a burst of blue smoke and read me the rule for working with her. When on for at least five minutes, “any questions” she asked, taking in another lung-full of smoke. “ Yeah do you get naked?”, sure said she throwing of her bathrobe, giving me the feast your eyes on this look . While she preened for my benefit, “naw” I said, “lets get you in a dress!” She burst out laughing like the girl she still was, having been caught. In taking her down that peg, we became friends…, I showed her I could play as well.

Young, model, transpant dress, home stuido, sitting stool

We began in that dress as promised, soon she was nude, and man she could pose.., interesting stuff with very good moves. I asked her permission to shoot more anatomical shots, she agreed, but she didn’t want me to show them, they were for my own benefit. I had an idea, just in the formative stages of what I might like to do with them. She probably thought I was going to use them for my own enjoyment if you get my drift.

Young model, topless window in background, smiling.

Many years after, after I had a stroke, many long years recovery I finally had worked out that vision of what I wanted to do with the more intimate images I had captured. I worked over those images getting them just right. Then I sent them to her for her approval, want her to know that I wanted to donate our work to some groups who work for a positive sex culture, asked her if she agreed. To my great relief she agreed to let me use them. Working in a collaborative fashion is not for everyone, but I feel great that it works for me and my models.

Young, model, topless recline posel Black and White image.