Contemplating Future, Past

Posted on by michaelvasquezart

Nude woman, Black Material, Past, Future, Contemplating.

Pulling out of the darkness, and
into the light is what me must learn as
as we grow older.
The light represent one’s future,
the dark the past…,
more than less successful attempts.

We should learn as we grow,
the attempt is the key…,
if we do not attempt we fail as a person.
The darkness has it strength,
it’s weight.
It has the capacity to draw us back in its grip,
its hold over us.

Breaking that tug…, to live in the light,
to succeed,
to flourish,
and attempt again not matter the hurt.

That is the goal we all should struggle to attend.

New Model

Posted on by michaelvasquezart

I have a lovely new model coming in a few weeks with whom I hope to take this shot again this time with pubic hair.  Models do have lives of their own, it may or may not workout.  Stay tuned to find out!  Also on tap are some loving shots of her and her gentleman, and the baby she is carrying.  Part of the joy I find in photography, that and the terror till I get film back and see what and if I got what I saw in the viewfinder.  Once again I have to thank my models for working with me, and sharing my vision.

Mugs

Posted on by michaelvasquezart

Here is a quick snap of the mugs I got from the lab.  I told them after seeing the first one to think artistic.  These were not mugs of the kids playing baseball or soccer that you sent to aunt Harriett.  These were original work of art that I was selling.  Told them to reduce the image by a quarter inch, and increase the space between the images by that same quarter inch.  Much much better, except that I wanted the insides black to match the black in the image.  Stay tuned.

In the Family Plot

Posted on by michaelvasquezart

Many long years ago I was told that my erotic images were not explicit enough for the times. My answer, no matter how explicit I get…, I allow my models some bit of privacy. My images are not a gynecological tour de force, rather some imagination is not only needed, but wanted. Though the use of shadows, movement I want the viewer eye to wander, to search for those hidden gems.

Many of my models dabble in the trade, yet when they see the images I produce they are very impressed. I shoot for the art of my subject, I consider that less is more, to create an alluring image my subjects do not have to be exposed. The imagination has a crucial role, a crucial function for our greatest sex organ we possess…, our mind’s.

I treat the women who pose for me with respect, my work conveys that respect. I ask my models to trust in my skills as a photographer. I ask my model to trust me as a man.

Afternoon at the Farm

Posted on by michaelvasquezart

 

I’ve been asked more than a few time if I worry about working with nude models alone. To tell the truth I have never given it much consideration because of the way I work my craft. I offer references, give the model a straight forward idea my style of work, now I give the access to my website so they can see what I shoot, and them what to expect. I am very welcoming to significant others check me and the studio out so that everyone is comfortable. I make it clear before any shoot happens that I expect to work with my model’s undivided attention.

For my part I am very respectful of the models rights, and my responsibility. When I work with a nude model I realize that their personal space is much more important for them. To date I have never had a model who even thought I have done anything in the least bit inappropriate. Once I had a younger model who I plan to work with at a friend’s farm. On the way over I told her that I wasn’t sure who else would be there, I assured her that she was not going to be put on any shows for anyone. That if worst came to worst we’d have the nice meal I had brought, and just call it a day. At the risk of being called paternalistic, I wanted her to feel at ease. That’s is the problem though, the same preparations I use to make my models comfortable, are the same tactics predators use to lull their victims into a false sense of security.

Then there is the matter of the release, I want my model or subject to see everything I have captured before they sign. I want for them to be comfortable with what we’ve gotten, after all we work in a collaborative manner. Many times I work without a release at all, preferring to be able to get in touch with the person, tell them what and were I want to use our image(s). Since I use real film this can get quite expensive, a few times the model decides to not sign. Those few times the whole shoot has been an expensive waste of resources. I can only use the images for display only, no sales are permitted, really that is fair. Now not everyone works as I do, my models work with the anticipation of sales to follow. My work is sold in galleries, or used in books, my website, or I donate it to various organizations that foster a positive sex culture.

Again not everyone works this way, but I feel very strongly about my images, and the way I work. I work very hard at my craft, I get some beautiful images in the pointillist manner. I am proud of my work, the people who chose to work with me…, how could I not take the steps necessary to make it a beautiful experience for all.