Danish Summer: Girl ll

Danish Model, Black & White image, three quarters limage with a cute wrap around her bust, wearing jean.

This girl was harsh, harsh, and harsh in her look, patterned herself off the Germanic look. In reality she was a sweet girl hopping to make it in the big city. I tried my best to get her to relax her look, this was the best I could manage. The owner of the studio, Jim said it was the best look he had seen in her book, which was quite a complement coming from him, he had a great eye.

Color image of Danish model, in a Black PJ top, stern look

She had come over just in time for the madhouse of getting Jim ready for a shoot of his own. I sat her down in the alcove to the studio with a glass of champagne so she could relax while I made sure he had everything he would need. When I could finally turn my attention to her, I called her into the change room for makeup and to change. Then we set about the business we were there for, I made her change clothes fairly often to work off any nerves. And I tried to work on her look.

Danish model, color image three quarters, red top and jeans..

I also got her topless even though she said I don’t have anything to show, and I left it at that. I never force a model to try something she is not comfortable with. Their discomfort shows up in the eyes first, just like too much to drink. My job is to read how the model feels, and to react accordingly. An unhappy model doesn’t look good, there is something off about the photos. Now on the other hand a playful model will look so good in the photos, but when she has to explain to an unhappy significant other…, well things can change.

Danish model, color image, topless with jean shorts.

Anyway the model was very happy with the way she came across in my photos. And there was no significant other in the City to worry about. The only problem with that the afternoon that she came to look over her work Jim had locked his keys in the office. I didn’t get the chance to have a relaxing time with her, maybe buy her dinner, I had to make a mad dash to Grand Central to give Jim his keys back so he could go home.

A second shoot was in order, but in a boom or bust economy we never had the chance. We had a good time working that night, both of us got something out of out shoot as it should be.

Mugs

Here is a quick snap of the mugs I got from the lab.  I told them after seeing the first one to think artistic.  These were not mugs of the kids playing baseball or soccer that you sent to aunt Harriett.  These were original work of art that I was selling.  Told them to reduce the image by a quarter inch, and increase the space between the images by that same quarter inch.  Much much better, except that I wanted the insides black to match the black in the image.  Stay tuned.

In the Family Plot

Many long years ago I was told that my erotic images were not explicit enough for the times. My answer, no matter how explicit I get…, I allow my models some bit of privacy. My images are not a gynecological tour de force, rather some imagination is not only needed, but wanted. Though the use of shadows, movement I want the viewer eye to wander, to search for those hidden gems.

Many of my models dabble in the trade, yet when they see the images I produce they are very impressed. I shoot for the art of my subject, I consider that less is more, to create an alluring image my subjects do not have to be exposed. The imagination has a crucial role, a crucial function for our greatest sex organ we possess…, our mind’s.

I treat the women who pose for me with respect, my work conveys that respect. I ask my models to trust in my skills as a photographer. I ask my model to trust me as a man.

Rope

Many genres draw my interest, I shoot my impression of a setting…, a cerebration…, an act. All my images are crafted using available light, reflectors, cards, and that most important ingredient: love of subject.

My goal is to create art of you and your body. To highlight the curves, the crevices, and to do so in a respectful manner…, all while capturing the essence of who you are at this particular moment. Explicit or not each image gives the subject some sense of privacy to her image.

Models come to me from many walks of life…, and for many different reasons. We work in collaboration, my model’s input is expected and welcome. Poses are offered, boundaries are pushed, yet respected. I do ask each model to come with an open mind, and a sense of play.

No releases are signed until each image is approve, I shoot for the art market only.

Date’s Matter

 

Playing with rope ideas with my favorite model, Jean Dawson.  Cross-processed, and out of date film…, love the starkness of the image, that brutal hard light.

That the magic has happened, it’s sitting there waiting to be processed. That part of the equation happens at the lab far away. About 10 days till I get a rough idea of what I have gotten; knowing that these scans mean nothing. All told 30 days to get the master scan back from the lab. Only then do I get my hands on the final image of this scan.

Overall I am very pleased with my exposure, held the details in the window. The knot holds-up well, many years since my tying days. A very patient model here as I fumble with remembering long ago combinations.

Image deserves a higher quality scan to get the colors to balance off her skin tone. Only then will I know what the image looks likes…, what I will have to work with. So not for the impatient, or for those in a rush. Time put into all aspects my work…, the care and feeding of a model, the care and feeding of my mind…, still able to come up with ideas. Then to pull it all off, for that magic to happen in camera. And at 70 you say!