Big City Model’s

 

My shooting life in Manhattan was split between commercial work, and shooting my own personal work. I love working with women models, my fondest day at the studio was have “go see” days. I would call the agency’s and ask for them to sent over there models to have a look at their books. Then all the up and coming models would show up our door. The photographer I work with had the pull and the studio to get them there. I’d lead these young kids back to were the interviews happened. We’d talk and tease with them, and have a great time of it.

I was able to get some of the women to pose with me too. Nudity wasn’t a big deal back then, after all this was New York, the big city. The willingness to get nude was sort of a prerequisite to shoot if asked. Many of these models had a willingness to get nude as long as they were treated with respect, and their personal bounds were met, not so much different than today. I for one did my part in meeting these bounds, I treated them with dignity, and respect…, I had wine and treats to eat.

So one evening I was working with a really excellent model, young and lithe. We shot some clothes stuff firsts, she was very fit and had movement to her body…, naturally I asked to show her figure off. She had brought a wonderful necklaces that served her body well. I remember her saying that she had decided no more nudes, and here she was nude. At the time I didn’t give it much thought, just showed her the Polaroids I had shot, told her how marvelous she looked. Quite like an Amazonian warrior I said about the necklace one.

Later after the film was processed and the contacts made I invited her over to see our work. I was so proud of the shots, and how she came across. She refused, said again how she had promised herself that no more nudes. No matter how I begged and pleaded she would not come over, and just see the work.

So these works are not for sale, they are meant to show what we got, I am very proud of this work. I have some hope, however vain it maybe, that she will see these finally. How she come across with dignity, and respect that I could put into these shots. To me her beauty, the way she carry herself with dignity make these images what they are.

Contemplating Future, Past

Nude woman, Black Material, Past, Future, Contemplating.

Pulling out of the darkness, and
into the light is what me must learn as
as we grow older.
The light represent one’s future,
the dark the past…,
more than less successful attempts.

We should learn as we grow,
the attempt is the key…,
if we do not attempt we fail as a person.
The darkness has it strength,
it’s weight.
It has the capacity to draw us back in its grip,
its hold over us.

Breaking that tug…, to live in the light,
to succeed,
to flourish,
and attempt again not matter the hurt.

That is the goal we all should struggle to attend.

New Model

I have a lovely new model coming in a few weeks with whom I hope to take this shot again this time with pubic hair.  Models do have lives of their own, it may or may not workout.  Stay tuned to find out!  Also on tap are some loving shots of her and her gentleman, and the baby she is carrying.  Part of the joy I find in photography, that and the terror till I get film back and see what and if I got what I saw in the viewfinder.  Once again I have to thank my models for working with me, and sharing my vision.

Film Order

 

 

What a wonderful feeling after so long a wait, to be able to buy film. Not that the things holding me back have eased, not so much, but I have enough to work on. One of my first model’s to begin working with me on what has developed into the new series. I’ve know this woman for thirteen (13) years now, (seen on FaceBook) the boyfriends come and go. Never ever thought the both of us would still be involved with each other lives this long. Like so much of my art it has evolved over time, organic, the friendship has deepened. I’ve invited the model to my shows, or tell them when a magazine has picked our work to publish. I love educating new model to the world of art, how our work fits into the show.

So too has my relationship with my other models has grown over time, the nature of our work, what to submit to magazines, websites that handle art. Those models who wish to be involved are welcome, those that do not want to be bother, I let them be. With this new series I have someone who I work with, not everyone is so open to the type of images I want to make. I keep my options open, always welcome back models who have worked with me in the past. I welcome new models, they work with what they are comfortable with, I never require models to pose in ways they are not fully behind. Trust is key to my work, something that can only be built by getting to know each other, how we think. It’s the only way I work.

I find myself in a wonderful position, two (2) models, two different ways to pose. Each with a rhythm of their own, different set of values: its exciting. So return to the subject of film I need to buy, how my choice of film, model…, each bringing their personality, moves, and desires. Then I get to the real artsy stuff, expired film, those unpredictable colour shifts. Maybe a cross-processed roll of slow film for the movement, mystery, the flying by the seat of the pants feeling. The wait for real film to return from the lab. Part and parcel of the magic of film, exposing it for results hoped for, not for the faint of heart, or of imagination.

A return to the old days, the old ways, waiting to see if the magic has stuck, or a near miss. I love the suspense, the anticipation. I’ve spent decades work with these films, I know how they work, how they are supposed to work, then with the broken rules what you should expect. Now long out of date, the unknown…, what will I get, how will my model react if nothing shows up, least not model portfolio wise. That is the magic, the curse of my art, the great unknown is the way I work, nothing ventured, nothing gained.

Checked the film vault, an old Tupper-ware container I have kept for many years now. Oh want delights! Film I had purchased in my N.Y. days, slower ISO that’s why it survived so long. All color film, all way out of date, oh the colour-shifts.

I was talking with a friend the other morning over breakfast, I told her how much I enjoys treading the needle. I want to produce a new piece from the current series, that is FaceBook pure. I do not support censorship, I will not show my work with a black bar, defused area because some white male is uncomfortable with the human body. So jerking a few chains does not bother me, I push boundary.

Lessons Learned

t

 

 

 

 

 

 

 

 

 

This image was shot in 2003, the model and I had worked together for sometime, getting to this image. She was by no means a professional model, fresh off the farm literally. When we first met I remember a very determined young woman weaving her way over to where I was sitting. As I watched her approach I was thinking like a photographer, very tall (good), a little awkward, part of the fresh face appeal (good/bad), wanting her dream…, so very apparent. For me the training, investment in time, and not if, but how soon would she be able to do nude work.

We agreed to meet for coffee, she had an unfortunate incident that morning, and was stuck at home, could I meet her apartment? My book has my look, and the models are in various state of undress, I never hide who I am. She asked, “how do you get them nude)? I ask, is the simple answer. So we set our first shoot, what I wanted as a photographer was clear in her mind. We worked very well, any misgiving she might of had, vanished in the face of my professionalism. We became fast friends, I showed her every piece of film I shot, I treated her with respect, and her trust level grew. The odd misinformation about what I shot for me, and what I was doing for her. Had a newspaper piece in her hometown press about a parade that she had a part in as a Bird of Paradise. All novice miscommunication, and the trust grew.

 

Then came the shoot that changed everything. She was getting bored with what we were shooting, any fear of being nude had passed…, and she was ready for something more challenging. I suggested a far more intimate and personal pose. Her first answer was an emphatic no, but I could see the wheels turning in her head. This was the ultimate challenge fear/fact of life she was facing. That she had consider this type of image in her thinking both worried me, and pleased me that she was considering my suggestion. To my delight she said if she was going to do this, she had to be comfortable.

So I was privileged to photograph this special moment in this woman life, freely, and without question. Oh the questions she had, that flitted through her mind, overwhelmed by wave of pleasure, and alarm. Afterwards, small ripples of pleasure came across her, and I was thinking how special this moment was for me too. I had been privileged to photograph her doing something so intimate and special. That she was a “nice” girl, a “good” girl who could be so harmed if I was not to do the right thing by her. Say what you will, it was my responsibility to hold this lady, this girl from harm by exposing her.Now years after the fact we are great friends. She never posed for anyone this way after, we’ve had the time and distance to be able to put this shoot in perspective.  I have managed to assure her of confidentiality, and my respect for what she decided to share with me.

My work really is about a partnership, a working relationship that puts the model more in touch with what is happening to their images.  Each model works with me in a collaborative manner, and no one is paid for their time until I sell.  If they choose not to give me an email address, or choose to just ignore me, they have that right to privacy; all the rights and responsibility remain in place. I will do everything I promised getting them to pose for me in the first place.  I believe that it is the only way to work. Because of the special nature of the images I take of these women we have developed a special bond that endures to this day, as do the friendship we have developed.

Vulnerable

 

This model and I shot at a friend’s farm near Austin.  It was out in the middle of nowhere, off a dirt road of sorts, around the fields.  Just in her twenty’s, and full of herself as we all are at that age.  We had a nice time of it, good strong poses, self-aware with attitude.  A true red head, fiery in the way she could attack her poses…, me if I was un-wary!  Wore her mother’s outfit from her days as a hot young chick.

No disrespect, young and carefree we all were, made it to this age, and you learn certain things.  But at twenty you haven’t formed those connections yet, you can use someone with ethics in the profession.  The term “My Girls”, has caused a great deal of consternation in the circles I run in, and getting advice from friends on building this site.  “My Girls”, I have a protective arm around them spiritually, I lay out before the shoot all the details.  “You will always know where your images are posted, as long as I have an active email address” I tell them, and I do follow through with that promise.

Every one of these young ladies knows about my site, and have full access to every image.  Those who’s images I plan on marketing, know about my strategy, and how each image was carefully selected.   We still have in place that partnership promised so many years ago, with time-off for my stroke and recovery.  Now that I am back on my feet, getting back to parts of the life I knew before my stroke…., and the long, long road back.

My thanks to these young women who trusted me to do right by them.  To protect their names, and reputations now that they have a life established.   Each and everyone is still My Girl!

North Country

boiler-room-ds

Still north of Toronto, she had never posed before for this kind of photography.  She had a natural way of moving and thinking.  Shortly after I ran head on with a pile of problems, most of my own making, we never got the chance to work together again.  Huge loss.

North Country

cement

We worked in the same hospital, she a nurse, me a lowly floor-cleaner.  Always the friendly sort, we made friend’s, and she agreed to pose for me.  Took her far north of Toronto, to an abandoned cement plant.  Beautiful sunny day, but in the bunker like interior it was cool.  We shot several rolls of film, and both my cameras needed reloading.  As I grabbed my camera to reload, it was so cold I almost dropped it.  I looked at her body, and it was all goose-pimply,we went outside to enjoy the sun, and that was it for the day.  Shot about late 1970’s.

NYC Sunset

nyc-sunset

When I lived and worked in Manhattan, I made a point to get to where I could see a sunset.  Because of all the big building there, I had to get where I could see a sunset, and where better than the water.  Grab the train to the WTC, over the sky-bridge, across the atrium, and out to the marina I’d go.  Nothing better than NYC windows to liven up the show.