Trials and tribulations of Gutenberg

I had to switch over to Gutenberg, or have my website rebuild. So now I am learning the new program, how it works, or doesn’t. I ask your patience while I learn, and adjust my thinking. Just go to show that learning never ends at any age. It’s good for the brain as well especially as one ages, those pathways to the whole you need maintenance. Similar as when I had the stroke, needed to rebuild new pathways to the whole me, though not quite as well as before. Knew those old pathways like the back of my hand I had used them so long. Now I have to pick my routes carefully, feeling out the terrain as I go.

Well that is my underlying problem exacerbated by an aging brain. So I will get proficient as I can for now I am happy to even post in the block editor.

Art of Being a Nude Model

Being a nude model is a lot of hard work, it‘s not about just taking off your clothes. So many young women advertise themselves as doing nude on Model Mayhem. They all want the pay without knowing what is involved. They don’t know how to pose, how to move, or what to do really except to stand there looking cute. When working with a nude photographer they must have a presence, poise, be comfortable in their skins. That is hard to do at best, many models spend years perfecting their poses.

Many who call themselves nude models do not know the first thing about how to hold themselves, have a working knowledge of how a camera works, or how the shadows can work against their poses. A good model is hard to find, a good nude model harder still. A good model has proven poses that work well in certain circumstances, but kill you in others. That is were a basic knowledge of lighting comes in, play to the light. Or play to the shadow if that is what’s require. Play off the props around you, when working with widows do you want to incorporate them into your pose, do you want to play with any curtains. Do you want to raise your arm and point. When using your arms to cover your breasts, how much is enough…, how much pressure is best for what you are doing with what you have. Do you need to support the breasts so they appear fuller than they are.

Michael Vasquez Art ©

Photographers are like everyone else, there are good ones, there are bad ones. Some you can trust to be professional, some be on your guard. How can you tell the difference? The way you market yourself is so important. If you are just starting out as a nude model trust is the number one key thing you want to have. Though the proper marketing you can gain some advantage in your posting for any model site, have some good quality work to show. When you are starting out whatever type of modeling you do, have the absolute best work you can afford. In many cases trade the photographer for his time and talent if you can. If you have no nudes, or only shots taken by your boyfriend on his phone. Work with a professional first, trade your time and his interest to shoot you. Does he/she follow through with what they say they will do.

Michael Vasquez Art ©

Be proactive in your approach to nude modeling, and your safety. Have a line that states that you do full nude on a case by case basis. That you need to meet first if you can to find out just what is expected of you. For heaven sake check the photographer out, does he/she have a website, what kind of work do they do. Is that a good look for you, or is getting the money more important. Also other professional nude models websites can be a wealth of information, they have years of knowledge.

In the end your safety is pretty much up to you.

Michael Vasquez Art ©

Enjoy being nude, your poses, enjoy your skin.

Burr Oak and Nipple.., Oh My!

 

 

I’ve been lucky enough to have a very unique model to work out ideas with. I have known her for some 10 years now. She is a friend who comes over not nearly enough, something that gives us lots to talk about. I love having her drop by to just talk. I get the chance to talk about what I am working with, and why, and what kind on concepts that interest my creative mind now; enough that it would warrant a test shoot.

Then the real play gets started, the day I finally get to see my ideas. I have boxes and boxes of things that I’ve collected: all things connected to nature, with all their own complexities; the curves, the shapes that only nature can make, with it’s cracked seedpod. Or the simple leaf, attached or loose, picked in summer or winter. Or the ageless rock…, spied off city-trail, sitting in the dirt.

The rest is parked in this brain of mine, filed under: Imagination. That little rock sat on my desk for a long time before I understood what its purpose was. The Burr Oak cap told me very clearly what it was for. It was up to me to find, and pursuade a model to let me show her what my idea might look like. Enter friend and muse!

As I look at some of the really great work of people in my business, I feel a sense of immense pride to see such excellent work. However, the models are not getting enough credit, in most cases, no recognition at all. I tell all my models that I could not do what I do without them. Otherwise, I’d have the pretty props and gorgeous lighting that no one can see. I quickly follow with assurance that they do have the ability to stay anonymous if they so choose.

So a peek behind the curtain with the ever lovely and understanding Jean Dawson.