Working with Nude Models

Leaf, bottom, buttocks, color image, Michael Vasquez Art.

I have been blessed to have found models who trust my motives, and my photographic eye, who are willing to let me capture elements of them for my art. Sum of parts lead invariable to the whole being, those parts that are the valued by artists, and pornographer alike though for different reasons. I am drawn the pubic regions since I was a young boy for it’s mysteries. Now as a seasoned man I am still draw to this area. One young woman I knew and photographed allow me to capture her for a show I was entering. I wanted her pureness of my capture to show what photographers and pornographers alike were interested in.

Female model, torso, pubic, belly botton, B & W image. Michael VAsquez Art

I’ve been asked more than a few time if I worry about working with nude models alone. To tell the truth I have never given it much consideration because of the way I work my craft. I offer references, give the model a straight forward idea my style of work, now I give the access to my website so they can see what I shoot, and them what to expect. I am very welcoming to significant others to check me, and the studio out so that everyone is comfortable. I make it clear before any shoot happens that I expect to work with my model’s undivided attention.

Colorful image, female pubis and legs, vibrant colors, Michael Vasquez Art.

For my part I am very respectful of the models rights, and my responsibility. When I work with a nude model I realize that their personal space is much more important for them. To date I have never had a model who even thought I have done anything in the least bit inappropriate. Once I had a younger model who I plan to work with at a friend’s farm. On the way over I told her that I wasn’t sure who else would be there, I assured her that she was not going to put on any shows for anyone. That if worst came to worst we’d have the nice meal I had brought, and just call it a day. At the risk of being called paternalistic, I wanted her to feel at ease. That’s is the problem though, the same preparations I use to make my models comfortable, are the same tactics predators use to lull their victims into a false sense of security.

Female model torso, legs split, acorn over vigina, Michael Vasquez Art.

Then there is the matter of the release, I want my model or subject to see everything I have captured before they sign. I want for them to be comfortable with what we’ve gotten, after all we work in a collaborative manner. Many times I work without a release at all, preferring to be able to get in touch with the person, tell them what and were I want to use our image(s). Since I use real film this can get quite expensive, a few times the model decides to not sign. Those few times the whole shoot has been an expensive waste of resources. I can only use the images for display only, no sales are permitted, really that is fair. Now not everyone works as I do, my models work with the anticipation of sales to follow. My work is sold in galleries, or used in books, my website, or I donate it to various organizations that foster a positive sex culture.

Female, model, buttocks, Moon, night, B & W image, Michael Vasquez Art.

Again not everyone works this way, but I feel very strongly about my images, and the way I work. I work very hard at my craft, I get some beautiful images in the pointillist manner. I am proud of my work, the people who chose to work with me…, how could I not take the steps necessary to make it a beautiful experience for all.

Burr Oak and Nipple.., Oh My!

 

 

I’ve been lucky enough to have a very unique model to work out ideas with. I have known her for some 10 years now. She is a friend who comes over not nearly enough, something that gives us lots to talk about. I love having her drop by to just talk. I get the chance to talk about what I am working with, and why, and what kind on concepts that interest my creative mind now; enough that it would warrant a test shoot.

Then the real play gets started, the day I finally get to see my ideas. I have boxes and boxes of things that I’ve collected: all things connected to nature, with all their own complexities; the curves, the shapes that only nature can make, with it’s cracked seedpod. Or the simple leaf, attached or loose, picked in summer or winter. Or the ageless rock…, spied off city-trail, sitting in the dirt.

The rest is parked in this brain of mine, filed under: Imagination. That little rock sat on my desk for a long time before I understood what its purpose was. The Burr Oak cap told me very clearly what it was for. It was up to me to find, and pursuade a model to let me show her what my idea might look like. Enter friend and muse!

As I look at some of the really great work of people in my business, I feel a sense of immense pride to see such excellent work. However, the models are not getting enough credit, in most cases, no recognition at all. I tell all my models that I could not do what I do without them. Otherwise, I’d have the pretty props and gorgeous lighting that no one can see. I quickly follow with assurance that they do have the ability to stay anonymous if they so choose.

So a peek behind the curtain with the ever lovely and understanding Jean Dawson.